TITLE: World Without End: Book Two (8/?) AUTHOR: Rachel Anton E-MAIL: RAnton1013@aol.com xxxxxx About eight years ago I met a woman in a bar at O'Hare International Airport who told me her name was Susan. She was pretty and I was lonely, on a layover between California and New York. It was a very busy, insane time in my life. I barely had time to breathe, let alone seek out sexual partners. Susan came on to me pretty blatantly and I was just tipsy enough to let my defenses down long enough to invite her back to my hotel room with me. We had sex and it was pretty good. Not a life- altering experience but it passed the time while I was waiting for my flight and gave me the brief illusion that I was achieving human contact. Then I fell asleep. That was my mistake. She was still in the room. Don't know how that happened. I woke up to the sound of shuffling papers. She was going through my bag. In retrospect, she was probably looking for cash. I was pretty well dressed at the time, silk and leather and all that, and she looked like a K-Mart kind of gal. But I was guarding some pretty dangerous secrets. I was being pursued by some pretty dangerous people. I thought maybe she was working for my enemies. I thought...No, I didn't think. I reacted. I shot her in the head. In my most recent recurring nightmare I am standing over Susan's body, watching the blood drain out of her forehead as her face slowly morphs into that of the woman sitting across from me right now. The most disturbing thing about the dream is the way I feel watching her die. Not the horror one would expect but rather an almost perfunctory regret. A great big cosmic whoops. Similar to the feeling I got looking down at Melissa Scully's corpse. Wrong sister. Whoops. Better haul ass. Of course in my waking hours that incident haunts me as a near death experience might. A near death experience that one doesn't recognize as such until long after the fact. Like when you're in a car accident, one caused by your own stupidity, clumsiness, recklessness, whatever, and maybe you hit your head or something but it's not too serious and you get home and go to bed and wake up in the middle of the night and go "Shit, I almost killed myself." I've been doing that every day, for years. There was a brief period of my life when I was at peace. When colonization began, when the world outside was losing all remnants of sanity and stability, I was slowly stabilizing internally. Finally there were no more secrets, no reason to murder a woman who decided to go through my belongings. I was free. It was liberating, seeing everything going to hell and knowing that I would be okay. Better than ever. I kept that peace, that freedom, for quite a long time. I lost it when I fell in love with Dana. When I realized that there were more secrets to keep, more parts of myself that needed to be forgotten. I want her to love me for all that I am but I know that she can't. She knows it too, which is why she won't let me talk to her about things like this. I live in fear of the day she remembers who I used to be. She can never accept it, but it is a part of me. I've lost the peace and the fearlessness but I've gained so much. I suppose terror comes with any goodness in a person's life. The terror that you'll losethat goodness. My father told me it was always better to be poor rather than rich. A poor man only has envy to worry about but a rich man lives in fear of the world. Sometimes, though, sometimes I realize that the good outweighs the bad. At moments like this. Moments that my nightmares can't touch. But even now, sitting in the cafeteria and watching the woman I love scarf down a sloppy Joe with a smile on her face, there are some things I can't forget. Dana is a really messy eater. I don't always notice it but it's hard to miss the saucy globs on her chin and the mystery meat under her fingernails today. You'd think she was the one with only one hand to work with. It's the cutest thing in the world. She notices me staring at her from across the table and raises a curious eyebrow. She'd think I was the biggest sap ever if I told her what I'm thinking. Either that or she'd think I was criticizing her dining habits. So I don't say anything but continue to watch surreptitiously around my own lunch. One of the things I've discovered since I've fallen in love is that being in love makes you feel the exact opposite way a normal person would feel in any given situation. A normal person would think this was pretty gross and probably find another lunch companion. But I've never been a normal person and now I'm pretty much certifiably insane. Good thing we don't have a loony bin around here. "So, what are you working on today?" I ask and she waves her hand dismissively in front of her face as a response. "The usual, you know..." she shrugs. I guess that I do. I've been trying not to think too much about it. I've been avoiding asking her about it. But the fact is, Mulder's been spending every day for the past two weeks in that tiny lab with her and I can't stop wondering, worrying. She doesn't talk about her work as much as she used to, doesn't share the details of her days quite as easily. She told me he found out about us although she doesn't know how. I knew he would. I knew she wouldn't get the chance to tell him. I'm not sure why it makes such a tremendous difference to me although I can see why it would piss him off. I guess I just wanted her to be proud of it, something to present to him as part of who she is now, not something she has to bury like a dirty little secret. Anyway, it doesn't matter now. He knows. I asked her how he took it and all she said was "well". What that might mean is anyone's guess. One thing's for certain though. He's not leaving. We've managed to avoid each other for the most part and when we do see each other we barely grunt in acknowledgment which is why seeing him stride purposefully across the cafeteria towards our table is so completely shocking to me. At first I'm afraid that he's got some "important" thing or other to discuss with Scully and that he'll drag her back to the lab before she can even finish her lunch. But he doesn't. Instead he looks directly at me and asks, "Scully, would you mind if I talked to Krycek alone for a minute?" Dana looks as taken aback as I feel and slightly terrified as well. "Would you mind?" he asks, shifting his gaze to her and affecting some kind of revolting whipped puppy expression. "Um..." she looks up at him and back at me, fear definitely the predominate emotion in her eyes now. "It's okay," I tell her, not particularly wanting her in his presence if I can help it. She nods slowly and untangles herself from chair and sandwich, backing towards the salad bar but continuing to watch us with every step. I suppose she thinks she's being subtle, hiding behind the soup buckets like that. She'd have made a terrible spy. I wonder what she's expecting. A junior high lunchroom brawl maybe. As much as I'd like to sucker punch the bastard until his face turns blue, I vowed to myself that I wouldn't let myself lose control like that again. Especially not in such a public venue. I refuse to have my authority undermined by that black-blooded, pathetic mutant. "So listen, Krycek, I wanted to talk to you without Scully because..." His eyes dart around nervously and he spots her watching us and focuses on her for a minute. He's still standing over me, looming like some kind of albatross. "Why don't you sit down?" I ask but it's not really a question. He does, bringing us eye to eye. I push my tray away, not wanting the remnants of my lunch between us. For some reason the congealing sloppy sauce feels like a weakness. He sighs and shuts his eyes and I notice that his skin has turned a sickly shade of green. He's quiet for a ridiculously long time and if I had a watch on, I'd be staring at it. "Mulder, what's the problem here?" I finally bark out, a bit louder than I intended to. His eyes pop open and he looks like he's just been roused from a nightmare. "Krycek, look I...I know that you and Scully have a...special situation here..." Well, looks like the nightmare has only just begun. "Special situation," I repeat, uncertain that I've heard him correctly. We find ourselves staring across the table, each silently daring the other to clarify. He breaks first, clearing his throat to diffuse the tension. "Anyhow, for reasons I have yet to comprehend, she seems happy with it." He looks down at his hands and adds quietly, "With you." Damn straight, mother-fucker. Knee-jerk reaction which I struggle to keep from showing on my face. "So, um, I think that we need to come to some sort of understanding." "What kind of an understanding?" "A...a truce I guess you'd call it." Truce? Are we at war? We haven't even spoken in almost a month. Cold war maybe. "What would that entail exactly?" He looks confused and glances over at Scully again, as if he were seeking out her assistance. Did she put him up to this? Perhaps. More likely though, he's doing it to impress her, because he thinks it's what she wants. Show her what a big man he is. In any case he doesn't seem to have put much thought into this because he doesn't have an answer at the ready. "I just...I think that we need to act our age here, Krycek. Not like a couple of teenagers competing for her attention." He leans back in his chair with a self-satisfied expression, waiting for me to snap, to become that teenager. I won't give him that. As adept as he is at bringing me to that place inside, I will never show it. It's a constant struggle. I suppose that's why I've been avoiding him to this degree. I'm not sure how to explain what he does to me. I guess it's sort of similar to the Johnny Birch situation. Johnny Birch went to my elementary school. He was the coolest kid in the 5th grade. All the girls showed him their underpants at recess and he could eat worms without wincing. I idolized Johnny Birch and he thought I was a piece of crud, not worthy of being wiped from the soles of his penny loafers. I followed him around like a goober, copied his style of dress, his irritating Euro-trash syntax, everything. Nothing was good enough for him though. He went to a different junior high school and I ended up being pretty popular myself once I got away from Johnny. But he had a girlfriend at my school and sometimes he'd come and visit. Whenever he was in the building it was like a force field of dorkiness overcame me. I reverted to my groveling, loser self and had to spend lunch time in the restroom, hiding from my peers lest I completely humiliate myself. Long, stupid story but it's the best analogy I can come up with at the moment. Mulder brings me back to a time when I killed people for going through my shit. He brings me down. "I've got no problem with that, Mulder but you've gotta understand something here. Things are different. She's different. You can't expect your relationship with her to go back to the way it was." "I...I know that. She seems...happy," he winces around the word again but adds, "That's all I care about. All I ever cared about..." and then looks off at a distant spot on the wall. "Well then we don't have a problem, do we." "No I, uh, I guess not." I wait for him to leave but he lingers annoyingly. "You're a lucky fuck. I hope you realize that," he finally says. This is an interesting truce. "I don't need you telling me that, Mulder." He laughs and I realize how defensive and snappy I sound. "Relax, man. This is what I'm trying to tell you. You don't have anything to worry about." "I just want you to understand that this is serious. It's not a game to me. I love her." Mulder makes a disgusted, constipated face and chews the inside of his cheek. I don't know why but it felt really good to say that to him. Finally. "I realize that. I...I love her too," he sputters and I feel like pummeling him again. "That's why I...I'm willing to let her go." How generous of him. How kind. "I don't think you've got a choice." He stares blankly at me for a second and then nods pitifully. "Look, I...I'm not asking to be your best friend here, Krycek. I just think that, for her, we should try to be civil to each other." He stands up and extends his hand and I don't have a choice really because I think everyone in the place is watching us by now. I shake his hand briefly and the place goes deathly silent except for a small "Oh my God," emanating from somewhere near the salad bar. I can't help but chuckle at that. Mulder sits back down and people start talking and moving again, crisis averted. "Look, I'm willing to work with you here, Krycek. I mean I want to help in any way I can." "*Any* way? How do you feel about being a test subject in the bioweapons department?" I'm only half joking. "So you guys are really trying to develop a biological weapon here? You think that's a good idea?" "It's the only way to get rid of them, Mulder." Even he's got to realize that. He doesn't seem to though. He's getting that constipated look again. "Get rid of them at what cost, though?" Is this part of our truce too? Does shaking his hand give him permission to question everything I'm doing here? "At any cost." "Do you realize how dangerous this is to your group, Krycek? To the people developing the weapons, the children who are living here..." "We're taking the necessary precautions." The whole point is to develop a toxin that *isn't* dangerous to *us*. Of course if we're successful, Mulder would certainly be at risk. "I just wonder if you might end up destroying yourselves before they even get to you." "Well, what do you suggest, Mulder?" Why is he still here, talking to me? I think our "truce" would go over a lot better if we just kept on avoiding each other. "I dunno, Krycek. Look, I'm not trying to antagonize you here. I'm just wondering what your overall plan is." "Overall plan? Mulder, I'm just trying to keep this place going. To keep these people alive." Short-sighted perhaps but it takes up virtually all of my time. "You're working for the rebel aliens aren't you?" The distaste in his voice is a palpable presence. I can hear the accusation, unspoken but overwhelming. Most of the work we do for those bastards involves murdering people like Mulder en masse. "You think that's gonna help you, in the long run?" I have a sudden and vivid memory of finding out that Mulder was "dead" all those years ago. I remember feeling angry, remorseful that he wouldn't be able to show up at my door and tell me how much better he could be running this place. I remember feeling like his death had taken away a bit of my hope. God, what a fucking idiot I was back then. "It's helping us now. They're giving us the supplies we need." "For how long though? I mean do you really trust them? Do you even know why they're using you to do their dirty work? It's not like they couldn't do it themselves. And much more efficiently." Does he think I haven't thought about these things? That I'm some kind of mental incompetent? For God's sake, it's not like we've got a plethora of choices, here. "So how do you think we oughtta get the stuff we need to live, Mulder? The food faeries?" "You've got a farm here, Krycek. I think you could do all right without them at this point." "Until they kill us for turning our backs on them." He's talking again but I can't listen anymore. I need to tune out for a second and try to get myself together. There's this ringing sound in my ears, the beginnings of a hellish headache I'm sure, and the old phantom pain is back for the first time in months. He's making me physically ill. God if it weren't for Dana, he would have been dead on arrival. I take a few deep breaths and shred the napkin on my lap into a million and one tiny strips and start listening again. "...so I'm just wondering if maybe you've become a little complacent here. Used to the status quo, you know? I mean it makes sense. You've got a great thing going here and of course you want to keep it that way. All I'm saying is..." "I *know* what you're saying, Mulder." Now please stop saying it. God, where the hell is Dana? Still at the salad bar, waiting for the foodfight to start I suppose. I wonder how much she's told him about her own work here. "Dana's been working on forming an alliance with some other groups we know of with similar interests," I decide to tell him. Serves two purposes really. First of all it's sort of a change of subject. Second, it's something involving Dana and he wouldn't dare criticize it. Maybe if he sees her complicity in the "overall plan" he'll shut up and leave it alone. "I know, she told me about that. I think that's a good idea. Especially if you guys can all get together and do something for yourselves instead of the rebels." God, where does he get off anyway? Criticizing me for working for the rebels when he's been spending the past six years doing paper work for the goddamn colonists. I hate him. "Maybe you should start by figuring out why the smoking s.o.b. has been letting you guys carry on for so long. I know someone who might be able to give you some information about that." Jesus, is the room pounding or is that my skull? Where IS Dana? "And who might that be?" "Marita." "Marita?" I don't know whether to laugh or spit. I laugh. "I think you can trust her, Krycek. And I think she knows a lot about them." "Yeah, she's really good at making you *think* she knows a lot. She doesn't know anything. And if she did, she wouldn't tell me about it. And anything she might tell me would be a lie anyway." I have been meaning to question her though, nevertheless. She's been pretty coherent lately from what I hear. I need to figure out what the hell to do with her. "Well, that's my suggestion anyway. I think she could help you. You're the big boss man around here right? You could make her talk, King Krycek." He makes a familiar smart-assed face and picks a tater- tot off of Scully's tray and pops it into his mouth. "She's coming back you know." "Yeah, well, she doesn't like tater-tots anyway." "Yes she does." He laughs and finally, FINALLY, stands up and starts to walk away. "You know, for someone as fortunate as you are, you're pretty uptight," he tells me as he passes me. I feel something on my head and start to swat, thinking it's some sort of insect. Then I realize it's Mulder's hand, ruffling my hair. "You oughtta try smiling once in awhile," he says jovially. I have a gun strapped to my boot. I could shoot him in the back right now as he's walking out the door. It would be so easy. If only... "What the hell just happened here?" If only this woman wouldn't cry if I murdered him. She sits down next to me this time instead of across and takes my hand in hers. I feel like pulling her into my lap and squeezing her so tight. I don't want her to go back to the lab. To him. "I'm not sure. First he wanted to be my friend and then he wanted to tell me everything I'm doing wrong." She chuckles and shakes her head in a mixture of amusement and disbelief. I wonder what it would take to get her to tell me what I'm doing right. "Hey, you wanna go home and take the rest of the afternoon off?" I lean over and whisper in her ear. I give her my best "fuck me" look but really I'd just like to crawl into bed with her, wrap myself around her and have her touch me, hear her tell me that she thinks I'm the best thing since sliced cheese. "I can't, Alex. I'm kind of in the middle of something. In fact, I should be getting back." "You sure about that?" I try again, kissing her neck this time for emphasis. She leans into me and sighs, with arousal or regret I'm not sure. "Mmmmvery." She turns to me for a brief kiss and then she's on her feet and on her way out. "You did a good thing today, zhivotnoye," she tells me and then she walks out the same door Mulder went through five minutes ago, leaving me with a pile of uneaten tater tots. xxxxxx End Chapter Eight